Only here photos of photos, and the film exposure was somehow justified by the General sense of the plot, so in the case of ". Yes, Yes, the famous model-the child of the adult magazines of the 70s appears in "slutty childhood" throughout his young-year-old glory, first and foremost, I would call the film the only footage of the forbidden delights that were reflected in the photographs of her mother, and then the photographer Jacques Bourboulon. But there is a beauty, and a lot of music, scenery, forests, waterfalls, caves, ruins of an unknown stone castle in the end - Sylvia performed the same Eva Ionesco, which 34 years later, took "My little Princess". The film leaves more thoughts than impressions - there is no special depth, there is no good game - children mostly just work out the text (not counting the erotic scenes, where they just give all the best). But when you look like they are naked running across the field and lying in the grass, as they bask in a homemade bed of mattress and blankets in the middle of boulders and waterfalls - somehow even forget that next to the rock beautiful and bright creature finds no place from unrequited love and loneliness.
Yes, this Paradise is happening against the background of the suffering of the first girl - Laura, in love with Fabrizio Yes, the boy and Sylvia - weak and selfish creatures, finding pleasure in bullying Laura and forcing her to watch their sexual achievements. What Fabrizio and Sylvia are going through in the middle of the film is an undisguised, absolute Paradise that not everyone has had in life - and not necessarily at that age.
#Maladolescenza 1977 movie#
Yes, this is one of those pictures, the debate around which will not cease, probably never.Įveryone who sees in the movie porn or forbidden erotica is not right, this is one of the best films about the age that has ever been shot, the Directors boldly crossed the line and touched on forbidden topics. The tension between the three characters in a love triangle increases and having reached peak - is broken by the tragedy. And in this performance Fabrizio actively plays along with Sylvia, as young as Laura, but more daring and sassy. Laura is put in the position of a slave, immensely loving her master. The game takes a hard and even cruel character. The boy, in the literal sense of the word, begins to mock the unhappy Laura, her affection and her feelings.
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